Visar Zhiti. The condemned apple
Selected poetry
Translated by Robert Elsie. A bilingual edition
Green Integer 134
ISBN 1-931243-72-7
Green Integer, Copenhagen & Los Angeles 2005
314 pp.
PREFACE
For almost half a century, from 1944 to 1990,
Albanians lived under an exceptionally
harsh Marxist-Leninist regime. Communist
partisans, who took possession of the
country at the end of the Second World War,
altered the already assiduous course of
Albanian history radically. Most countries of
Eastern Europe experienced a thaw and a
certain liberalization after the death of Stalin
in 1953. Albania was different. Its leaders,
foremost among whom was Enver Hoxha
(1908-1985), ruled the country with an iron
fist right to the bitter end. It is difficult to
imagine any people in Europe having
suffered more under Communism than did
the Albanians. Orthodox Stalinism, isolation
and ignorance proved to be a fatal
combination. In 1990, the tiny red cardhouse
of revolution finally collapsed and the Albanian nation was left with little more than
universal misery and a sub-Saharan economy. Albania's culture was in ruins, too, and after
decades of persecution, there was no intellectual leadership left to fill the void.
Visar Zhiti is the Albanian writer whose life and works perhaps best mirror the history of his
nation. He was one of the many to have suffered appalling persecution for no apparent
reason. But Visar Zhiti survived - physically, intellectually and emotionally, and he is now
among the most popular poets of present-day Albania.
Born on 2 December 1952 in the Adriatic port of Durrës as the son of the stage actor and poet
Hekuran Zhiti (1911-1989), Visar Zhiti grew up in Lushnja where he finished school in 1970.
After studies at a teacher training college in Shkodra, he embarked upon a teaching career in
the northern mountain town of Kukës. Zhiti showed an early interest in verse and had
published some poems in literary periodicals. In 1973, he was preparing the collection
"Rapsodia e jetës së trëndafilave" (Rhapsody of the life of roses) for publication when the so-
called Purge of the Liberals broke out in Tirana at the Fourth Plenary Session of the
Communist Party. Zhiti, whose father had earlier come into conflict with the authorities, was
one of the many scapegoats selected as a means of terrifying the intellectual community. The
manuscript of the verse collection which he had submitted to the editors of the Naim
Frashëri publishing company was now seen to contain grave ideological errors and was
interpreted as blackening socialist reality. His works were denounced as anti-communist
agitation and propaganda, and there was nothing the poet could say to his interrogators to
prove his innocence. None of his fellow writers saw fit or dared to help him. Indeed in
October 1979, some of them prepared an insidious report condemning the works of the poet,
no doubt to save their own skins. It was this "expert opinion," published here for the first
time as an appendix to the volume, which led directly to Zhiti's fall and subsequent torment.
After years of uncertainty under the Damocles Sword of the Party, Visar Zhiti was arrested
on 8 November 1979 in Kukës where he was still teaching, and spent the following months in
solitary confinement. To keep his sanity, he composed and memorized over a hundred
poems. Sentenced at a mock trial in April 1980 to thirteen years in prison, he was taken to
Tirana jail and, from there, transferred up to the isolated northern mountains to do the
rounds in the infamous concentration camps similar to the Soviet gulags, among them, the
living hell of the copper mines at Spaç and to the icy mountain prison of Qafë-Bari. Many of
his fellow prisoners died of mistreatment and malnutrition, or went mad. Visar Zhiti was
released on 28 January 1987 and was then 'permitted' by the Party to work in a brick factory
in his native Lushnja, where he kept a low profile until the end of the dictatorship.
In the autumn of 1991, when Albania was in a state of chaos, Visar Zhiti managed to get to
Italy and worked in Milan until July 1992. He visited Germany for several months in 1993 on
a scholarship offered to him by the Heinrich Böll Foundation, and was in the United States in
1994. On his return to Albania, he worked as a journalist and was appointed head of the
Naim Frashëri publishing company, which had once abandoned him to his fate. He was later
employed by the administrative services of the new Albanian parliament, in the building of
the former Central Committee of the Communist Party where, as fate would have it, he
shared an office with one of the writers who had denounced him many years earlier.
In 1996, Visar Zhiti was elected himself as a member of parliament but, shaken by the
sombre realities of Albanian party politics, he soon withdrew from political life. In 1997, he
joined the Albanian foreign service and was appointed cultural attaché to the Albanian
Embassy in Rome, where he lived and worked until 1999. This appointment gave him an
opportunity to make up for lost time, to devote himself to writing and to pursue personal
and literary objectives which he would not even have dared to dream about a decade earlier.
Visar Zhiti's first volume of verse "Kujtesa e ajrit" (The memory of the air) was published in
Tirana in 1993. It contains some of the so-called prison poems as well as verse inspired by his
first journeys outside the 'big prison' that was Albania. The second collection, "Hedh një
kafkë te këmbët tuaja" (I cast a skull at your feet), published in Tirana in 1994, contains the
full cycle of 110 prison poems composed between 1979 and 1987, verse which survived
miraculously in the recesses of the poet's memory. Both volumes were well received in
Albania and by Albanian-speaking readers in the former Yugoslavia. Someone had finally
given voice to the hundreds of silenced and broken intellectuals.
Among Zhiti's subsequent verse collections are: "Mbjellja e vetëtimave" (Sowing lightning),
published in Skopje in 1994; "Dyert e gjalla" (The living doors), published in Tirana in 1995;
"Kohë e vrarë në sy" (Time murdered in the eye), published in Prishtina in 1997; and, most
recently, "Si shkohet në Kosovë" (Where is the road to Kosova), printed in Tirana in 2000.
The latter volume mirrors, among other things, the poet's horror at the sufferings of Kosova
and its people during the ten years of oppression and the two years of war leading to NATO
intervention and final liberation in 1999. Several collections of Zhiti's verse have also
appeared in Italian translation.
In addition to his poetry, Visar Zhiti is the author of numerous short stories which have been
compiled in the volumes "Këmba e Davidit" (David's leg), published in Tirana in 1996, and
"Valixhja e shqyer e përrallave" (The battered suitcase of folktales), published in Prishtina in
1997. He has also published translations into Albanian of the works of Mother Teresa,
Federico Garcia Lorca and Mario Luzi. His recent prison memoirs, "Rrugët e ferrit:
burgologji" (The roads to hell: prisonology), published in Tirana in 2001, have been widely
read and commended.
Despite the paucity of literary translations from the Albanian, Visar Zhiti's verse has been
appreciated abroad and he has received notable international recognition. In 1991, he was
awarded the Italian "Leopardi d'oro" prize for poetry and in 1997 the prestigious "Ada
Negri" prize. He is a member of the Alfonso Grassi International Academy of Art and has
taken part in many international poetry festivals in recent years.
Robert Elsie
Eifel mountains, Germany
September 2002
TABLE OF CONTENTS
Preface
by Robert Elsie
Introduction The Plight of Prometheus, thoughts on the poetry of Visar Zhiti
by Janice Mathie-Heck
From the volume Kujtesa e ajrit (Tirana 1993)
Time
The old market
The little things
The shoeshine boy
Elegy of the forest
That night in the capital
In Homer's sea
The arrival of Pegasus in my cell
Moments pass
At the bars of my cell
Abandonment
Love
The epilogue (of which time makes a preface)
And in Italy you can weep
The Colosseum
When will we go to...
From the volume Hedh një kafkë (Tirana 1994)
The condemned apple
Perhaps the last encounter with the moon
The curse
The child and the lunatic land
Living desert
A rainy day
Life
Anti-lullaby
Icons under arrest
Hunger strike
Little prison, big prison
Around the camp they were killing the forest
Death continues
Death impresses no one here
Epitaph
The prison shower room
Gratitude
From the volume Mbjellja e vetëtimave (Skopje 1994)
Second sun
Bloody lips
Mountains all around
Prison leaf
New boots
Thank you, rainbow!
I am waiting, freedom
Gathering light
Athena Street
A piece of the Berlin Wall
Sowing lightning
In Luxembourg
From the volume Dyert e gjalla (Tirana 1995)
In our cells
Locked doors
The prisoner's wife
The siege
So exhausting
In the palace of the King of Romania
When you left me alone in Germany
The golden fen
Angel in Holland
The walls of Delphi
Squirrels in Washington
Cynthia, that nice black girl
Bible in my hotel room
Barefoot
Face to face with the Mona Lisa
Arberesh village
The tyrant's one-time office, near which I work
Abyss
From the volume Si shkohet në Kosovë (Tirana 2000)
Where is the road to Kosova
The lake
Handcuffs at school
My father's poem
Far from our countries
Engraving in the air, 1389
A young woman suckles her baby among the deportees
Grand Hotel
This (un)usual day
Buried a second time over
A visit to the radio and television station
Prizren
The act of denunciation, an "expert opinion" on the poetic works of Visar Zhiti (1979)
Bibliography